The origin of modern Shinto in Japan: the vanquished gods of Izumo

"Yijiang Zhong analyses the formation of Shinto as a complex and diverse religious tradition in early modern Japan, 1600-1868. Highlighting the role of the god Okuninushi and the mythology centered on the Izumo Shrine in western Japan as part of this process, he shows how and why this god came...

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Bibliographic Details
Main Author: Zhong, Yijiang (Author)
Format: Electronic Book
Language:English
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WorldCat: WorldCat
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: New York Bloomsbury Academic 2016
London Bloomsbury Publishing 2016
In:Year: 2016
Series/Journal:Bloomsbury Shinto studies
Standardized Subjects / Keyword chains:B Japan / Shintoism / History 1600-1889
Further subjects:B Ōkuninushi no kami
B Japan Religion 1600-1868
B Shinto History To 1868
B Electronic books
B Thesis
Online Access: Volltext (Resolving-System)
Volltext (lizenzpflichtig)
Parallel Edition:Non-electronic

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520 |a "Yijiang Zhong analyses the formation of Shinto as a complex and diverse religious tradition in early modern Japan, 1600-1868. Highlighting the role of the god Okuninushi and the mythology centered on the Izumo Shrine in western Japan as part of this process, he shows how and why this god came to be ignored in State Shinto in the modern period. In doing so, Zhong moves away from the traditional understanding of Shinto history as something completely internal to the nation of Japan, and instead situates the formation of Shinto within a larger geopolitical context involving intellectual and political developments in the East Asian region and the role of western colonial expansion. The Origin of Modern Shinto in Japan draws extensively on primary source materials in Japan, many of which were only made available to the public less than a decade ago and have not yet been studied. Source materials analysed include shrine records and object materials, contemporary written texts, official materials from the national and provincial levels, and a broad range of visual sources based on contemporary prints, drawings, photographs and material culture."-- 
520 |a Machine generated contents note: -- List of Figures -- Acknowledgements -- Note on Text/Translation -- Introduction -- 1: Resurrecting the Great Lord of the Land -- 2: The Month without the Gods -- 3: True Pillar of the Soul -- 4: Converting Japan -- 5: Competing Ways of the Gods -- Conclusion -- Notes -- Bibliography 
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