Mimetic theory and film
The interdisciplinary French-American thinker Rene Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of Rene Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et verite r...
| Collaborateurs: | ; |
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| Type de support: | Imprimé Livre |
| Langue: | Anglais |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| WorldCat: | WorldCat |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
New York London Oxford New Delhi Sydney
Bloomsbury Academic
2019
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| Dans: |
Violence, desire, and the sacred (vol. 8)
Année: 2019 |
| Collection/Revue: | Violence, desire, and the sacred
vol. 8 |
| Sujets / Chaînes de mots-clés standardisés: | B
Girard, René 1923-2015
/ Mimésis
/ Film
B Mimésis |
| Sujets non-standardisés: | B
Recueil d'articles
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| Édition parallèle: | Électronique
Électronique |
| Résumé: | The interdisciplinary French-American thinker Rene Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of Rene Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et verite romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l'art, Girard asserted that the novel may be an "outmoded" form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of verite filmique? In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable "Girardian aesthetics." One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a "Girardian aesthetic"? Each of the contributors addresses these questions through the analysis of a film. |
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| Description matérielle: | ix, 211 Seiten |
| ISBN: | 1-5013-3483-2 978-1-5013-3483-2 |
