Medieval Christian and Manichaean remains from Quanzhou (Zayton)
Better known to western medieval travelers as Zayton, Quanzhou in Fujian was China's main port and also the terminus of the Maritime Silk Road. The city was home to a cosmopolitan population especially when China was under Mongol rule (ca. 1280-1368 CE). Italian visitors to and inhabitants of t...
| Corporate Author: | |
|---|---|
| Contributors: | |
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Turnhout
Brepols
2012
|
| In: |
Corpus fontium Manichaeorum / Series archaeologica et iconographica (2)
Year: 2012 |
| Reviews: | Medieval Christian and Manichaean Remains from Quanzhou(Zayton) (2014) (Durkin-Meisterernst, Desmond)
|
| Series/Journal: | Corpus fontium Manichaeorum / Series archaeologica et iconographica
2 |
| Standardized Subjects / Keyword chains: | B
Quanzhou
/ Findings
/ Christianity
/ Manichaeism
/ Art
/ Inscription
/ History 1280-1500
B Quanzhou / Findings / Christianity / Manichaeism / Art / Inscription |
| Further subjects: | B
Collection of essays
|
| Online Access: |
Inhaltsverzeichnis (Verlag) |
MARC
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| 245 | 1 | 0 | |a Medieval Christian and Manichaean remains from Quanzhou (Zayton) |c Samuel N. C. Lieu ... |
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| 520 | |a Better known to western medieval travelers as Zayton, Quanzhou in Fujian was China's main port and also the terminus of the Maritime Silk Road. The city was home to a cosmopolitan population especially when China was under Mongol rule (ca. 1280-1368 CE). Italian visitors to and inhabitants of the city included Marco Polo, Odoric of Pordenone and Andrew of Perugia. The city had a significant Christian population, both Catholic and Church of the East (Nestorian), and the nearby town of Jinjiang has to this day in its neighbourhood a Manichaean shrine housing a unique statue of Mani as the Buddha of Light. These religious communities left a wealth of art on stone which first came to light in Mid-Twentieth Century but is still very little known and studied outside China. This volume containing over 200 illustrations (many in full colour) is the work of a team of scholars from Australian universities in collaboration with the major museums in Quanzhou and Jinjiang and is the first major work on this unique material in a western language | ||
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