Clement of Llanthony’s Gospel Harmony and Augustine’s "De Consensu Evangelistarum"
Clement of Llanthony’s twelfth-century Latin gospel harmony is an important British witness to the tradition of producing a continuous narrative from the four gospels that is almost as old as the gospels themselves. Close analysis of the text reveals that Clement’s harmony has no demonstrable links...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2014
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| In: |
Church history and religious culture
Year: 2014, Volume: 94, Issue: 2, Pages: 175-196 |
| Further subjects: | B
Augustine
Clement of Llanthony
Codex Fuldensis
Concordia Quattuor Evangelistarum
De Consensu Evangelistarum
Diatessaron
Latin gospel harmonies
Oon of Foure
Tatian
Wycliffite Bible
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| Online Access: |
Volltext (Verlag) |
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| 520 | |a Clement of Llanthony’s twelfth-century Latin gospel harmony is an important British witness to the tradition of producing a continuous narrative from the four gospels that is almost as old as the gospels themselves. Close analysis of the text reveals that Clement’s harmony has no demonstrable links with the Tatianic Diatessaron tradition exemplified in the Codex Fuldensis but, rather, is possibly the earliest attempt to construct a life of Christ from Augustine’s treatise De Consensu Evangelistarum, which was written to prove the ‘harmony’ of the gospel accounts as a defence against those who pointed out their apparent contradictions. | ||
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