The Art of The Lord of the Rings: A Defense of the Aesthetic
This article provides something of a corrective to the ongoing trend in Tolkien studies to read his fiction theologically and attach aspects of it to specific Christian doctrine and practice. Tolkien made his resistance to such “symbolic or allegorical” interpretation very clear in his letters. I ar...
| Veröffentlicht in: | Religion and the arts |
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| 1. VerfasserIn: | |
| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Brill
2014
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| In: |
Religion and the arts
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| weitere Schlagwörter: | B
primary world
verisimilitude
sub-creation
Eucatastrophe
aesthetics
theology
literature
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| Online Zugang: |
Volltext (Verlag) |
| Zusammenfassung: | This article provides something of a corrective to the ongoing trend in Tolkien studies to read his fiction theologically and attach aspects of it to specific Christian doctrine and practice. Tolkien made his resistance to such “symbolic or allegorical” interpretation very clear in his letters. I argue that recognizing and reading Tolkien as a literary artist provides a more appropriate method by which we may appreciate The Lord of the Rings as the author intended, as literary art. Through such an approach, we may also come to a more accurate understanding of how Tolkien’s faith, as a Catholic Christian writer, enriches his masterpiece. Evidence for my argument comes from Tolkien’s writings and The Lord of the Rings, in which Tolkien’s aesthetic criteria for the art of story-telling is most fully embodied and demonstrated. |
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| ISSN: | 1568-5292 |
| Enthält: | In: Religion and the arts
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| Persistent identifiers: | DOI: 10.1163/15685292-01805002 |