Great Bosh
In Brideshead Revisited, Waugh tried to tie specific trends in modern art to the general decline of culture, against which Catholicism stood as a bulwark. This essay examines the conversion of Charles Ryder that interacts with his, and Waugh’s, reaction to modern art. Parallels are drawn with the co...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2016
|
| In: |
Religion and the arts
Year: 2016, Volume: 20, Issue: 5, Pages: 608-636 |
| Standardized Subjects / Keyword chains: | B
Waugh, Evelyn 1903-1966, Brideshead revisited
/ The Modern
/ Art
/ Religious art
/ Aesthetics
|
| RelBib Classification: | CE Christian art TK Recent history |
| Further subjects: | B
Evelyn Waugh
Brideshead Revisited
Saint Augustine
modern art
Joseph Masheck
|
| Online Access: |
Volltext (Verlag) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1554805147 | ||
| 003 | DE-627 | ||
| 005 | 20220614104418.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 170306s2016 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.1163/15685292-02005003 |2 doi | |
| 035 | |a (DE-627)1554805147 | ||
| 035 | |a (DE-576)484805142 | ||
| 035 | |a (DE-599)BSZ484805142 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
| 041 | |a eng | ||
| 084 | |a 0 |a 1 |2 ssgn | ||
| 100 | 1 | |a Comerford, Peter J. |4 aut | |
| 245 | 1 | 0 | |a Great Bosh |
| 264 | 1 | |c 2016 | |
| 300 | |a Online-Ressource | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a In Brideshead Revisited, Waugh tried to tie specific trends in modern art to the general decline of culture, against which Catholicism stood as a bulwark. This essay examines the conversion of Charles Ryder that interacts with his, and Waugh’s, reaction to modern art. Parallels are drawn with the conversion of Saint Augustine. The essay concludes that Waugh’s critique of modern art theory is superficial, and ignores the relationship between Christianity and modern art. This relationship is explored through the work of Joseph Masheck. The history of pictorial flatness is traced through religiously inspired art and is seen to be in continuity with modern art such as the black paintings of Ad Reinhardt. Saint Augustine’s theology of art as a means rather than as an end functions in Brideshead Revisited as a way to reconcile Waugh’s Catholic and artistic intentions. | ||
| 650 | 4 | |a Evelyn Waugh |x Brideshead Revisited |x Saint Augustine |x modern art |x Joseph Masheck | |
| 652 | |a CE:TK | ||
| 689 | 0 | 0 | |d u |0 (DE-588)4243964-4 |0 (DE-627)104837837 |0 (DE-576)210458992 |a Waugh, Evelyn |2 gnd |d 1903-1966 |t Brideshead revisited |
| 689 | 0 | 1 | |d s |0 (DE-588)4039827-4 |0 (DE-627)104658711 |0 (DE-576)209036745 |2 gnd |a Moderne |
| 689 | 0 | 2 | |d s |0 (DE-588)4114333-4 |0 (DE-627)105822957 |0 (DE-576)209483733 |2 gnd |a Kunst |
| 689 | 0 | 3 | |d s |0 (DE-588)4193793-4 |0 (DE-627)105224480 |0 (DE-576)210089717 |2 gnd |a Religiöse Kunst |
| 689 | 0 | 4 | |d s |0 (DE-588)4000626-8 |0 (DE-627)106400541 |0 (DE-576)208838821 |2 gnd |a Ästhetik |
| 689 | 0 | |5 (DE-627) | |
| 773 | 0 | 8 | |i In |t Religion and the arts |d Leiden : Brill, 1996 |g 20(2016), 5, Seite 608-636 |h Online-Ressource |w (DE-627)331747022 |w (DE-600)2052614-3 |w (DE-576)09448175X |x 1568-5292 |7 nnns |
| 773 | 1 | 8 | |g volume:20 |g year:2016 |g number:5 |g pages:608-636 |
| 856 | 4 | 0 | |u http://dx.doi.org/10.1163/15685292-02005003 |x Verlag |3 Volltext |
| 935 | |a mteo | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 295748109X | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1554805147 | ||
| LOK | |0 005 20170825114718 | ||
| LOK | |0 008 170306||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a bril | ||
| LOK | |0 936ln |0 1442043881 |a CE | ||
| LOK | |0 936ln |0 1442053887 |a TK | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REF | |a Moderne Kunst | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Aesthetics,Art,Aesthetics,Art,Art,Visual art,Religious art,Sacred art,Arts and religion,The Modern,The Modern,Modern age,Modernity |
| STB | 0 | 0 | |a Art religieux,Art sacré,Art sacré,Arts et religion,Art,Art,Esthétique,Esthétique,Modernité,Modernité,Époque moderne,Époque moderne,Époque moderne (motif),Époque moderne |
| STC | 0 | 0 | |a Arte religiosa,Arte,Arte,Estética,Estética,Modernidad,Modernidad |
| STD | 0 | 0 | |a Arte religiosa,Arte,Arte,Estetica,Modernità <motivo>,Modernità,Moderno,Moderno,Moderno (motivo),Moderno |
| STE | 0 | 0 | |a 宗教艺术,现代性,美学,艺术 |
| STF | 0 | 0 | |a 宗教藝術,現代性,美學,藝術 |
| STG | 0 | 0 | |a Arte religiosa,Arte,Arte,Estética,Modernidade,Modernidade |
| STH | 0 | 0 | |a Искусство (мотив),Искусство,Религиозное искусство,Эпоха Модерна (мотив),Эпоха Модерна,Эстетика |
| STI | 0 | 0 | |a Αισθητική,Θρησκευτική τέχνη,Τέχνη (μοτίβο),Τέχνη,Το Μοντέρνο (μοτίβο),Το Μοντέρνο |
| SUB | |a REL | ||
| SYG | 0 | 0 | |a Waugh, Evelyn,1903-1966,Wiedersehen mit Brideshead , Avantgarde , Bildende Kunst,Kunstdenkmal , Sakralkunst,Sakrale Kunst , Künste,Künste,Kunstästhetik,Kunstphilosophie,Kunsttheorie,Philosophische Ästhetik,Kunstanschauung,Kunstauffassung |