A Theological Aesthetic of the Ugly: Hip-Hop, Race, and the City
The article discusses the relationship between art, theology and urban culture, including in regard the aesthetics of what is considered ugly. An overview of the social conditions of cities, including in regard to inequality, race and the responses of hip-hip music to urban social conditions, is pro...
| Publié dans: | Cross currents |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
The University of North Carolina Press
2015
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| Dans: |
Cross currents
Année: 2015, Volume: 65, Numéro: 1, Pages: 100-115 |
| Sujets non-standardisés: | B
Race
Social aspects
B TO 70 A.D B Aesthetics Social aspects B CITIES & towns B Social History 21st century B ART & society B ART & theology B History B Social aspects B Palestine |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Résumé: | The article discusses the relationship between art, theology and urban culture, including in regard the aesthetics of what is considered ugly. An overview of the social conditions of cities, including in regard to inequality, race and the responses of hip-hip music to urban social conditions, is provided. Topics, including ancient Palestine, the work of Spanish poet Federico Garcia Lorca and the painting of of Spanish artist Pablo Picasso, are discussed. |
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| ISSN: | 1939-3881 |
| Contient: | Enthalten in: Cross currents
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| Persistent identifiers: | DOI: 10.1111/cros.12113 |