A metabolism of Adam and Eve: Damien Hirst meets Edvard Munch
Evolution is a theme which crosses the boundaries of art, science and religion. In this paper the problematics of evolution are approached by analysing the works of Edvard Munch (1863-1944) and Damien Hirst (b. 1965). Key attention is paid to Munch’s work Metabolism (1898-9) and Hirst’s work Adam an...
| Publié dans: | Approaching religion |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
[publisher not identified]
[2016]
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| Dans: |
Approaching religion
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| Sujets / Chaînes de mots-clés standardisés: | B
Munch, Edvard 1863-1944, Metabolism
/ Hirst, Damien 1965-, Adam and Eve exposed
/ Evolution
/ Art
/ Natural sciences
/ Religion
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| RelBib Classification: | AB Philosophie de la religion |
| Sujets non-standardisés: | B
Damien Hirst
B Metapicture B Edvard Munch B Picture B Religion B Science B W. J. T. Mitchell B Evolution B Image B Species B Symbo |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | Evolution is a theme which crosses the boundaries of art, science and religion. In this paper the problematics of evolution are approached by analysing the works of Edvard Munch (1863-1944) and Damien Hirst (b. 1965). Key attention is paid to Munch’s work Metabolism (1898-9) and Hirst’s work Adam and Eve Exposed (2004), both of which relate to the thematics of the Fall and combine the perspectives of religion and science. The relationship between evolution and art is further discussed through a distinction between pictures and images and the concept of remediation. |
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| ISSN: | 1799-3121 |
| Contient: | Enthalten in: Approaching religion
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| Persistent identifiers: | DOI: 10.30664/ar.67597 |