Writing Wisdom: George Herbert’s Synesthetic Poetics

Using synesthesia as an organizing principle, the present study analyzes George Herbert’s representations of wisdom, particularly in the poems “Submission,” “The Agonie,” “Divinitie,” and “Charms and Knots.” The trope of synesthesia reflects Herbert’s participation in both Hellenic and Hebraic tradi...

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Détails bibliographiques
Publié dans:Christianity & literature
Auteur principal: Dyck, Denae (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Johns Hopkins University Press [2016]
Dans: Christianity & literature
RelBib Classification:BH Judaïsme
CC Christianisme et religions non-chrétiennes; relations interreligieuses
CD Christianisme et culture
KBF Îles britanniques
KDE Église anglicane
Sujets non-standardisés:B “Submission”
B “Divinitie”
B George Herbert
B “Submission"
B Herbert, George, 1593-1633
B CHARMS & Knots (Poem)
B “The Agonie"
B “Charms and Knots"
B Synesthesia
B Wisdom
B Jews
B “Charms and Knots”
B “The Agonie”
B “Divinitie"
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Description
Résumé:Using synesthesia as an organizing principle, the present study analyzes George Herbert’s representations of wisdom, particularly in the poems “Submission,” “The Agonie,” “Divinitie,” and “Charms and Knots.” The trope of synesthesia reflects Herbert’s participation in both Hellenic and Hebraic traditions, for it brings together the rhetorical dexterity celebrated in Hellenic models of oration and the physical dexterity integral to Hebraic ideas of wisdom. Herbert’s synesthetic poetics, then, works not only to gather that which is Hellenic and Hebraic or classical and Christian but also to bridge word and world, spirit and flesh.
ISSN:2056-5666
Contient:Enthalten in: Christianity & literature
Persistent identifiers:DOI: 10.1177/0148333116677459