Sendivogius in Sweden: Elias Artista and the Fratres roris cocti
The Polish adept Michael Sendivogius had a definite influence in Queen Christina’s Sweden through the botanist Johannes Franck’s alchemical allegory “Colloquium with Mountain Gods” (1651). It describes the genealogy of generations of a royal family that finally bring forth the daughter Aurelia aure...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2014
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| In: |
Aries
Year: 2014, Volume: 14, Issue: 1, Pages: 62-72 |
| Further subjects: | B
Rosicrucianism
Queen Christina of Sweden
Sendivogius
alchemy
Elias Artista
Fratres roris cocti
heavenly dew
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| Online Access: |
Volltext (Verlag) |
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| 520 | |a The Polish adept Michael Sendivogius had a definite influence in Queen Christina’s Sweden through the botanist Johannes Franck’s alchemical allegory “Colloquium with Mountain Gods” (1651). It describes the genealogy of generations of a royal family that finally bring forth the daughter Aurelia aurea - the perfect gold. Sendivogius’ work with boiling heavenly dew is implied and described as working “de rore coeli”. Franck also sees Sendivogius’ prophecy of a new metallic monarchy in the North as the coming of Elias Artista. In 1639, the “Fratres roris cocti” were said to have used a play on the word LVX from the sixteenth theorem in John Dee’s Monas Hieroglyphica (1564) as constructed out of X – St. Andrew's cross. The Dane Olaus Borrichius noted the wordplay and explained that F.R.C. would thus be the mark of the “brothers of boiled dew” and a sign for the Rose Cross. | ||
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