Elucidating Opposites
A religious diptych provided medieval people with opportunities to access the transcendental and to engage in meditation on spiritual routes to salvation. The binary format of the diptych lent itself to pairings of images that could include oppositions or iconographic contradictions. By manipulating...
| Publié dans: | Religion and the arts |
|---|---|
| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2017
|
| Dans: |
Religion and the arts
Année: 2017, Volume: 21, Numéro: 3, Pages: 309-334 |
| Sujets / Chaînes de mots-clés standardisés: | B
Giotto, di Bondone 1266-1337
/ Diptyque
/ Vertu
/ Vice
|
| RelBib Classification: | CE Art chrétien |
| Sujets non-standardisés: | B
Diptych
Giotto
virtues
vices
opposites
crucifixion
Mary
personification
|
| Accès en ligne: |
Volltext (Verlag) |
| Résumé: | A religious diptych provided medieval people with opportunities to access the transcendental and to engage in meditation on spiritual routes to salvation. The binary format of the diptych lent itself to pairings of images that could include oppositions or iconographic contradictions. By manipulating these pairings, artists and patrons could enhance the complexity of the theological messages as well as of the relationship between art and user. Like many Gothic diptychs from Italy, an early-fourteenth-century example by Giotto is comprised of a Crucifixion and a vision of Mary’s heavenly court. The celestial group around the Virgin and child includes seven prominent personifications of the virtues. By properly identifying these moral qualities through comparisons with Giotto’s other works and by examining the oppositions they possibly addressed, we can elucidate some of the spiritual concerns of the original patron(s) who paid for and engaged with this diptych. |
|---|---|
| ISSN: | 1568-5292 |
| Contient: | In: Religion and the arts
|
| Persistent identifiers: | DOI: 10.1163/15685292-02103001 |