APA (7th ed.) Citation

Cernuschi, C. (1996). Artist as Christ/Artist as Criminal: Oskar Kokoschka's Self-Portrait for Der Sturm, Myth, and the Construction of Identity in Vienna 19001. Religion and the arts, 1(2), 93-127. doi:10.1163/156852996X00180

Chicago Style (17th ed.) Citation

Cernuschi, Claude. "Artist as Christ/Artist as Criminal: Oskar Kokoschka's Self-Portrait for Der Sturm, Myth, and the Construction of Identity in Vienna 19001." Religion and the Arts 1, no. 2 (1996): 93-127, https://doi.org/10.1163/156852996X00180.

MLA (8th ed.) Citation

Cernuschi, Claude. "Artist as Christ/Artist as Criminal: Oskar Kokoschka's Self-Portrait for Der Sturm, Myth, and the Construction of Identity in Vienna 19001." Religion and the Arts, vol. 1, no. 2, 1996, pp. 93-127, https://doi.org/10.1163/156852996X00180.