An Evil Threat to Marriage, Children and the Future: Queer Theory, "The Passion of the Christ," and Evangelical Political Rhetoric

This article employs queer theory to analyze Mel Gibson’s film The Passion of the Christ (2004) for its portrayal of queer characters (Satan and Herod) in contrast with non-queer (Pilate and Claudia, Seraphia, Simon the Cyrene, and Mary, Christ’s mother), and how it depicts the former as evil and th...

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Veröffentlicht in:The journal of religion and film
1. VerfasserIn: Wolff, Richard (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: 2015
In: The journal of religion and film
normierte Schlagwort(-folgen):B The passion of the Christ / Queer-Theorie / Evangelikale Bewegung / Ehe / Familie
RelBib Classification:CB Christliche Existenz; Spiritualität
CH Christentum und Gesellschaft
KBQ Nordamerika
KDG Freikirche
KDH Christliche Sondergemeinschaften
ZG Medienwissenschaft; Digitalität; Kommunikationswissenschaft
weitere Schlagwörter:B Queer Theory Mel Gibson Passion of the Christ gender studies marriage children evangelical rhetoric
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Beschreibung
Zusammenfassung:This article employs queer theory to analyze Mel Gibson’s film The Passion of the Christ (2004) for its portrayal of queer characters (Satan and Herod) in contrast with non-queer (Pilate and Claudia, Seraphia, Simon the Cyrene, and Mary, Christ’s mother), and how it depicts the former as evil and the latter as good. In particular, these contrasts involve self-indulgent or predatory sexual expression versus a healthy marital relationship, and evil versus loving influences over children, who represent hope for the future. Finally, the article looks at the film’s heavy marketing to American evangelicals and how the symbolic representations in the film relate to evangelical politics and rhetoric concerning contemporaneous queer issues - gay marriage debates in particular.
ISSN:1092-1311
Enthält:Enthalten in: The journal of religion and film