An Evil Threat to Marriage, Children and the Future: Queer Theory, "The Passion of the Christ," and Evangelical Political Rhetoric

This article employs queer theory to analyze Mel Gibson’s film The Passion of the Christ (2004) for its portrayal of queer characters (Satan and Herod) in contrast with non-queer (Pilate and Claudia, Seraphia, Simon the Cyrene, and Mary, Christ’s mother), and how it depicts the former as evil and th...

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Détails bibliographiques
Publié dans:The journal of religion and film
Auteur principal: Wolff, Richard (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: 2015
Dans: The journal of religion and film
Sujets / Chaînes de mots-clés standardisés:B The passion of the Christ / Théorie queer / Mouvement évangélique / Mariage / Famille
RelBib Classification:CB Spiritualité chrétienne
CH Christianisme et société
KBQ Amérique du Nord
KDG Église libre
KDH Sectes d’origine chrétienne
ZG Sociologie des médias; médias numériques; Sciences de l'information et de la communication
Sujets non-standardisés:B Queer Theory Mel Gibson Passion of the Christ gender studies marriage children evangelical rhetoric
Accès en ligne: Volltext (Verlag)
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Résumé:This article employs queer theory to analyze Mel Gibson’s film The Passion of the Christ (2004) for its portrayal of queer characters (Satan and Herod) in contrast with non-queer (Pilate and Claudia, Seraphia, Simon the Cyrene, and Mary, Christ’s mother), and how it depicts the former as evil and the latter as good. In particular, these contrasts involve self-indulgent or predatory sexual expression versus a healthy marital relationship, and evil versus loving influences over children, who represent hope for the future. Finally, the article looks at the film’s heavy marketing to American evangelicals and how the symbolic representations in the film relate to evangelical politics and rhetoric concerning contemporaneous queer issues - gay marriage debates in particular.
ISSN:1092-1311
Contient:Enthalten in: The journal of religion and film