The Eyes Have it: Film, Editing, and Postmodern Theological Hermeneutics
This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of look...
| Veröffentlicht in: | The journal of religion and film |
|---|---|
| 1. VerfasserIn: | |
| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
2016
|
| In: |
The journal of religion and film
Jahr: 2016, Band: 20, Heft: 2, Seiten: 1-35 |
| normierte Schlagwort(-folgen): | B
Bibel
/ Hermeneutik
/ Theologie
/ Film
/ Interpretation
|
| RelBib Classification: | FA Theologie VB Logik; philosophische Hermeneutik; philosophische Erkenntnislehre ZG Medienwissenschaft; Digitalität; Kommunikationswissenschaft |
| weitere Schlagwörter: | B
Kevin Vanhoozer
B Lev Kuleshov B Film B Editing B Sergei Eisenstein B AKM Adam B Hermeneutics B Walter Murch |
| Online Zugang: |
Volltext (kostenfrei) |
| Zusammenfassung: | This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of looking at the interpretive process as it relates to Scripture. This article traces the history of and approaches to cinematic editing in hopes that it might provide a significant interlocutor to the burgeoning field of hermeneutical studies. |
|---|---|
| ISSN: | 1092-1311 |
| Enthält: | Enthalten in: The journal of religion and film
|