The Eyes Have it: Film, Editing, and Postmodern Theological Hermeneutics
This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of look...
| Publié dans: | The journal of religion and film |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
2016
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| Dans: |
The journal of religion and film
Année: 2016, Volume: 20, Numéro: 2, Pages: 1-35 |
| Sujets / Chaînes de mots-clés standardisés: | B
Bibel
/ Herméneutique
/ Théologie
/ Film
/ Interprétation
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| RelBib Classification: | FA Théologie VB Herméneutique; philosophie ZG Sociologie des médias; médias numériques; Sciences de l'information et de la communication |
| Sujets non-standardisés: | B
Kevin Vanhoozer
B Lev Kuleshov B Film B Editing B Sergei Eisenstein B AKM Adam B Hermeneutics B Walter Murch |
| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of looking at the interpretive process as it relates to Scripture. This article traces the history of and approaches to cinematic editing in hopes that it might provide a significant interlocutor to the burgeoning field of hermeneutical studies. |
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| ISSN: | 1092-1311 |
| Contient: | Enthalten in: The journal of religion and film
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