"He who kills the body, kills the soul that inhabits it": Feminist Filmmaking, Religion, and Spiritual Identification in Vision
In this article, I argue that the 2009 film, Vision: From the Life of Hildegard of Bingen, presents an example of feminist filmmaking that seeks to draw viewers into spiritual identification with the protagonist, 12th-century mystic Hildegard, through its narrative and formal techniques, encouraging...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
2016
|
| In: |
The journal of religion and film
Year: 2016, Volume: 20, Issue: 2, Pages: 1-30 |
| Further subjects: | B
Feminism
B Mysticism B Hildegard of Bingen B Identification B Christianity |
| Online Access: |
Volltext (kostenfrei) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 156352189X | ||
| 003 | DE-627 | ||
| 005 | 20230316095858.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 170914s2016 xx |||||o 00| ||eng c | ||
| 035 | |a (DE-627)156352189X | ||
| 035 | |a (DE-576)493521895 | ||
| 035 | |a (DE-599)BSZ493521895 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1140754947 |0 (DE-627)898672422 |0 (DE-576)493521887 |4 aut |a Laamanen, Carl | |
| 109 | |a Laamanen, Carl | ||
| 245 | 1 | 0 | |a "He who kills the body, kills the soul that inhabits it" |b Feminist Filmmaking, Religion, and Spiritual Identification in Vision |c Carl Laamanen |
| 264 | 1 | |c 2016 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a In this article, I argue that the 2009 film, Vision: From the Life of Hildegard of Bingen, presents an example of feminist filmmaking that seeks to draw viewers into spiritual identification with the protagonist, 12th-century mystic Hildegard, through its narrative and formal techniques, encouraging the audience to share in Hildegard’s visionary experiences. The film does so in an explicitly feminist way, drawing upon unconventional visual and sonic aesthetics to highlight the power and authority of Hildegard’s spiritual experiences. In particular, Vision’s use of music and sound points toward a conception of feminine spirituality that values the subjective, experiential, and holistic. Ultimately, Vision offers an example of a feminist film that interacts positively with religion and demonstrates how the cinema can open up a space for the religious and spiritual experiences of women to not just be seen or heard, but experienced. | ||
| 601 | |a Feminist | ||
| 601 | |a Religion | ||
| 650 | 4 | |a Feminism | |
| 650 | 4 | |a Mysticism | |
| 650 | 4 | |a Hildegard of Bingen | |
| 650 | 4 | |a Christianity | |
| 650 | 4 | |a Identification | |
| 773 | 0 | 8 | |i Enthalten in |t The journal of religion and film |d Omaha : [Verlag nicht ermittelbar], 1997 |g 20(2016), 2, Artikel-ID 38, Seite 1-30 |h Online-Ressource |w (DE-627)271600942 |w (DE-600)1481114-5 |w (DE-576)281190658 |x 1092-1311 |7 nnns |
| 773 | 1 | 8 | |g volume:20 |g year:2016 |g number:2 |g elocationid:38 |g pages:1-30 |
| 856 | 4 | 0 | |u http://digitalcommons.unomaha.edu/jrf/vol20/iss2/38 |x Verlag |x Resolving-System |z kostenfrei |3 Volltext |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 2980296155 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 156352189X | ||
| LOK | |0 005 20170914160919 | ||
| LOK | |0 008 170914||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| SUB | |a REL | ||