"He who kills the body, kills the soul that inhabits it": Feminist Filmmaking, Religion, and Spiritual Identification in Vision
In this article, I argue that the 2009 film, Vision: From the Life of Hildegard of Bingen, presents an example of feminist filmmaking that seeks to draw viewers into spiritual identification with the protagonist, 12th-century mystic Hildegard, through its narrative and formal techniques, encouraging...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
2016
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| In: |
The journal of religion and film
Year: 2016, Volume: 20, Issue: 2, Pages: 1-30 |
| Further subjects: | B
Feminism
B Mysticism B Hildegard of Bingen B Identification B Christianity |
| Online Access: |
Volltext (kostenfrei) |