Between Documentary and Fiction: The Films of Kore-Eda Hirokazu
This article investigates the representation of Buddhist values through the interplay between drama and documentary in two of Kore-eda’s films - After Life (Wandafuru Raifu, 1998) and I Wish (Kiseki, 2011). It will argue that the spiritual aspirations of these two films is a product of their nondual...
| Published in: | The journal of religion and film |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2016
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| In: |
The journal of religion and film
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| Further subjects: | B
Non-duality
B Buddhism B Kore-eda Hirokazu B Japanese film B Emptiness |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | This article investigates the representation of Buddhist values through the interplay between drama and documentary in two of Kore-eda’s films - After Life (Wandafuru Raifu, 1998) and I Wish (Kiseki, 2011). It will argue that the spiritual aspirations of these two films is a product of their nondualistic treatment of a documentary and dramatic style of filmmaking. |
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| ISSN: | 1092-1311 |
| Contains: | Enthalten in: The journal of religion and film
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