Between Documentary and Fiction: The Films of Kore-Eda Hirokazu
This article investigates the representation of Buddhist values through the interplay between drama and documentary in two of Kore-eda’s films - After Life (Wandafuru Raifu, 1998) and I Wish (Kiseki, 2011). It will argue that the spiritual aspirations of these two films is a product of their nondual...
| Publié dans: | The journal of religion and film |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
2016
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| Dans: |
The journal of religion and film
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| Sujets non-standardisés: | B
Non-duality
B Buddhism B Kore-eda Hirokazu B Japanese film B Emptiness |
| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | This article investigates the representation of Buddhist values through the interplay between drama and documentary in two of Kore-eda’s films - After Life (Wandafuru Raifu, 1998) and I Wish (Kiseki, 2011). It will argue that the spiritual aspirations of these two films is a product of their nondualistic treatment of a documentary and dramatic style of filmmaking. |
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| ISSN: | 1092-1311 |
| Contient: | Enthalten in: The journal of religion and film
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