Visionary Critique: Gender, Self and Relationship in Rosetta and Two Days, One Night
The films of Jean-Pierre and Luc Dardenne stand out for their complex, multi-dimensional female and male characters whose representation disrupts gender stereotypes in numerous ways, both in how the characters themselves are depicted and how they are shown to relate to other individuals and their so...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Institut f. Fundamentaltheologie
[2016]
|
In: |
Journal for religion, film and media
Year: 2016, Volume: 2, Issue: 2, Pages: 45-66 |
Standardized Subjects / Keyword chains: | B
Rosetta (Film)
/ Deux jours, une nuit
/ Gender composition
/ Empowerment
/ Interpersonal relationship
|
RelBib Classification: | AD Sociology of religion; religious policy NCC Social ethics ZB Sociology |
Further subjects: | B
Jean-Pierre Dardenne
B Christian social ethics B Feminist Theory B relational autonomy B Gender Studies B Luc Dardenne |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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520 | |a The films of Jean-Pierre and Luc Dardenne stand out for their complex, multi-dimensional female and male characters whose representation disrupts gender stereotypes in numerous ways, both in how the characters themselves are depicted and how they are shown to relate to other individuals and their social context. In this contribution, I will explore the themes of self, relationship, solidarity, family and work - all of them recurring issues in the films by the Dardennes - using gender as my primary category of analysis, and focusing in particular on the treatment of these themes in Rosetta (Jean-Pierre and Luc Dardenne, FR/BE 1999) and Deux jours, une nuit (Two Days, One Night, Jean-Pierre and Luc Dardenne, BE/FR/IT 2014). I will argue that whereas Rosetta offers a critique of the damaging effects of the masculinized capitalist system on individuals and their relationships, Two Days, One Night can be understood as a vision of alternative possibilities of solidarity and women’s empowerment and agency even within the persistent context of masculinized capitalism. | ||
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STE | 0 | 0 | |a 两性关系,性别比,两性关系,异性关系,性别构成,异性关系,人际关系,人际关系 |
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STG | 0 | 0 | |a Empoderamento,Relações de gênero,Proporção entre os sexos,Relações de gênero,Relações interpessoais,Relações interpessoais |
STH | 0 | 0 | |a Межчеловеческие отношения (мотив),Межчеловеческие отношения,Отношения между мужчиной и женщиной (мотив),Соотношение мужчин и женщин,Отношения между мужчиной и женщиной,Полномочие |
STI | 0 | 0 | |a Διαπροσωπική σχέση (μοτίβο),Διαπροσωπική σχέση,Εξουσιοδότηση,Empowerment,Σχέση των φύλων <μοτίβο>,Αναλογία των φύλων (δημογραφία),Σχέση των φύλων,Σχέσεις μεταξύ των φύλων,Σχέσεις μεταξύ των φύλων (μοτίβο) |
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