Losers, Food, and Sex: Clerical Masculinity in the BBC Sitcom Rev.
Clerical masculinities, much like their lay/secular counterparts, often appear unchanging because they are the products of naturalization processes. Clerical masculinities, however, are far from being stable but the live and breathe the dynamics of both their socio-religious context and their secula...
| Publié dans: | Journal for religion, film and media |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Institut f. Fundamentaltheologie
[2016]
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| Dans: |
Journal for religion, film and media
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| Sujets / Chaînes de mots-clés standardisés: | B
Rev. (Série télévisée)
/ Church of England
/ Prêtre
/ Masculinité
/ Socioculture
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| RelBib Classification: | AD Sociologie des religions KDE Église anglicane NCF Éthique sexuelle RB Ministère ecclésiastique |
| Sujets non-standardisés: | B
BBC
B Television B Religion B Church of England B Gender B clerical B Masculinities |
| Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
| Résumé: | Clerical masculinities, much like their lay/secular counterparts, often appear unchanging because they are the products of naturalization processes. Clerical masculinities, however, are far from being stable but the live and breathe the dynamics of both their socio-religious context and their secular ‘others’. The BBC sitcom Rev. (2010-2011) is a refreshing take on the everyday life and problems of a vicar in the Church of England trying to avoid stereotypes that often come with clerical roles. Besides its entertainment factor, the sitcom is a valuable site to study the negotiation practices of clerical masculinity in the context of the Church of England. Rev. is not the first and only TV show featuring clerics, but its approach of exploring and inquiring points out that masculinities are never just beneficiaries or performers of power but also subject to power and socio-religious momentums. Uncovering religious negotiation processes of masculinities, Rev. can give an institution that is involved in the ‘production’ of religion a more human face. This paper focuses on the "loser" aspects of the series' male characters, in particular Rev. Adam Smallbone to show that the male characters struggle with fitting in to predefined notions of being a man but at the end of the show learn to appreciate and celebrate their own masculinities. |
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| ISSN: | 2617-3697 |
| Contient: | Enthalten in: Journal for religion, film and media
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| Persistent identifiers: | DOI: 10.25364/05.2:2016.2.6 |