The Crimes of Love. The (Un)Censored Version of the Flood Story in Noah (2014)
A swift survey of Noah reviews clearly shows that the audience’s sensitivity was challenged in several regards; Noah was portrayed as a “religious extremist” and “borderline psychopath”, the Creator proved to be a “distant - unaware or uncaring - overseer”, while Aronofsky himself was said to have a...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
2016
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| In: |
The journal of religion and film
Year: 2016, Volume: 20, Issue: 3, Pages: 1-32 |
| Further subjects: | B
Aronofsky
Noah
Ham
Naamah
fallen angels
Bible
apocrypha
pseudepigrapha
midrash
exegesis
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| Online Access: |
Volltext (kostenfrei) |