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|a Copeland, Kameron J.
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|a Copeland, Kameron J.
|a Cpoeland, Kameron
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|a "I Do Feel the Fire!"
|b The Transformations of Prison-Based Black Male Converts to Islam in South Central, Malcolm X, and Oz
|c Kameron J. Copeland
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|c 2017
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|a Historically, imprisoned Black male converts to Islam have been known for their narratives of redemption and struggles for religious freedom behind bars. While Islam possesses a strong visible presence throughout predominately Black areas of inner cities, it has become a natural feature of Black popular culture in mediums such as hip-hop, film, and literature. By the 1990s, the portrayal of Islamic conversions yielding Malcolm X-style transformations among young Black men, who formerly embodied self-destructiveness, were visible in films featuring Black male protagonists. The prison-based transformations typically involved highly influential Black Muslim leaders improving the social conditions of the inmate, the development of a linkage between religion and racial identity, and the observance of gradual Islamic self-restraint. The prison-based narrative among young Black men is most popularly seen in 1990s films such as South Central (1992) and Malcolm X (1992), as well as the one-hour HBO television drama Oz (1997-2003), in which writers pay tribute to the legacy and impact of imprisoned Black Muslims.
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|a Transformation
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|a X, Malcolm
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|a Black masculinity
|x Islam
|x film and television
|x African-American Muslims
|x New Black Realism
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|t The journal of religion and film
|d Omaha, 1997
|g 21(2017), 1, Artikel-ID 35, Seite 1-59
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|g elocationid:35
|g pages:1-59
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