Metastasio’s Old Testament Dramas: Biblical Stories in Eighteenth Century Oratorio
Pietro Metastasio’s five Old Testament oratorio libretti—based on the dramatic stories of Cain and Abel, Joseph, Judith, Joash, and Abraham and Isaac—reveal the influence of the Counter-Reformation, of seventeenth-century French literary criticism, and of eighteenth-century biblical interpretation....
| Publié dans: | Relegere |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Otago, Department of Theology and Religion
[2013]
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| Dans: |
Relegere
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| Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
| Résumé: | Pietro Metastasio’s five Old Testament oratorio libretti—based on the dramatic stories of Cain and Abel, Joseph, Judith, Joash, and Abraham and Isaac—reveal the influence of the Counter-Reformation, of seventeenth-century French literary criticism, and of eighteenth-century biblical interpretation. Reflecting a traditional christological interpretation, all five shed light on the emotional lives of their protagonists, while providing moral instruction for the edification of eighteenth-century Catholic audiences. I conclude with a brief discussion of the oratorio Abramo ed Isacco by Josef Mysliveček, based on a Metastasian libretto Isacco, figura del Redentore (1740), and illustrate by way of musical examples the reception of Genesis 22 in music. |
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| ISSN: | 1179-7231 |
| Contient: | Enthalten in: Relegere
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| Persistent identifiers: | DOI: 10.11157/rsrr3-1-589 |