Richard Wagner’s Prose Sketches for Jesus of Nazareth

In May 1849 Wagner fled Dresden after the failure of the uprising of which he was a leader. His last creative work in Dresden was prose sketches for an opera Jesus of Nazareth, the result of his study of the Graeco-Roman world and the New Testament together with some knowledge of biblical criticism....

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Bibliographic Details
Published in:Journal for the study of the historical Jesus
Main Author: Bell, Richard H. (Author)
Format: Electronic Article
Language:English
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Published: Brill 2017
In: Journal for the study of the historical Jesus
RelBib Classification:CD Christianity and Culture
KBB German language area
TJ Modern history
Further subjects:B Christology freedom law redemption Richard Wagner sacrifice
Online Access: Presumably Free Access
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Summary:In May 1849 Wagner fled Dresden after the failure of the uprising of which he was a leader. His last creative work in Dresden was prose sketches for an opera Jesus of Nazareth, the result of his study of the Graeco-Roman world and the New Testament together with some knowledge of biblical criticism. Although he portrays Jesus as a social revolutionary in that he attacks the Pharisees, oppression and injustice, he is by no means a political messiah; indeed Wagner emphases his sacrificial death which results in the giving of the Holy Spirit. Key theological themes of the work which I explore include Jesus’ messiahship, law and freedom, and the significance of his death.
ISSN:1745-5197
Contains:In: Journal for the study of the historical Jesus
Persistent identifiers:DOI: 10.1163/17455197-01502007