Money, Religion, and Symbolic Exchange in "Winter Sleep"
Winter Sleep is the latest film from Nuri Bilge Ceylan, a Turkish director and screenwriter who has received international acclaim. For the purpose of social and cultural analysis, this article critically focuses on the film's key themes and maneuvers that have diagnostic value from a social th...
| Main Author: | |
|---|---|
| Format: | Electronic Review |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Berghahn
[2017]
|
| In: |
Religion and society
Year: 2017, Volume: 8, Issue: 1, Pages: 94-108 |
| Review of: | Winter Sleep (2014) (Diken, Bülent) |
| Standardized Subjects / Keyword chains: | B
Kış Uykusu
/ Capitalism (Motif)
/ Religion (Motif)
/ Symbolic interactionism
|
| Further subjects: | B
symbolic exchange
B Money B Book review B Debt B Nuri Bilge Ceylan B mediocrity B Religion B Guilt B Capitalism |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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| 520 | |a Winter Sleep is the latest film from Nuri Bilge Ceylan, a Turkish director and screenwriter who has received international acclaim. For the purpose of social and cultural analysis, this article critically focuses on the film's key themes and maneuvers that have diagnostic value from a social theoretical viewpoint. These themes are religion, the relationship between religion and capitalism, and symbolic exchange. Organized around these topics, the article examines the religion-capitalism-symbolic exchange nexus by analyzing the motifs of formation, intervention, and intelligibility as these themes arise. This site of intersection is the conceptual pivot around which the article configures itself. It explores Winter Sleep based on what the film shows and says on screen, how its thought processes emerge, and at what points this thought supports or conflicts with dominant societal opinions. | ||
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