Florence as “Paradise Lost”
The city of Florence has been a place of artistic pilgrimage for centuries. This essay discusses late nineteenth- and early twentieth-century British and American interest in Florence and, specifically, two of its masterpieces in Ghiberti’s Gates of Paradise and Botticelli’s Birth of Venus as indica...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2018
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| In: |
Religion and the arts
Year: 2018, Volume: 22, Issue: 1/2, Pages: 8-15 |
| Standardized Subjects / Keyword chains: | B
Ghiberti, Lorenzo 1378-1455, Paradiestür
/ Botticelli, Sandro 1445-1510, Die Geburt der Venus
/ Florence
/ Earthly paradise
/ Verlorenes Paradies
|
| Further subjects: | B
Florence
Dante
Domenico Michelino
Renaissance
Grand Tour
tourism
Lorenzo Ghiberti
Sandro Botticelli
Walter Pater
Bernard Berenson
Chalres Eliot Norton
E.M. Forster
Venus
Pluto and Proserpina
Jeff Koons
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| Online Access: |
Volltext (Verlag) |
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| 520 | |a The city of Florence has been a place of artistic pilgrimage for centuries. This essay discusses late nineteenth- and early twentieth-century British and American interest in Florence and, specifically, two of its masterpieces in Ghiberti’s Gates of Paradise and Botticelli’s Birth of Venus as indicative of a melancholic perspective on the Florentine Renaissance as a “Paradise Lost.” The city was ambivalently idealized as an “Earthly Paradise.” | ||
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