The Resurrection Days Are Over: Resurrection from Doctor Who to Torchwood
: In the Doctor Who mythos, resurrection takes two opposing forms, one quasi-messianic and utopian, and one profoundly nihilistic and atheistic. Doctor Who presents opportunities of rebirth which provide a return to previous life or a continuation of existence, usually by way of the temporal or dime...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Saskatchewan
[2015]
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| Dans: |
Journal of religion and popular culture
Année: 2015, Volume: 27, Numéro: 1, Pages: 31-44 |
| Sujets non-standardisés: | B
Resurrection
B Television B Torchwood B Doctor Who B Death B Dystopia B Science Fiction |
| Accès en ligne: |
Volltext (Verlag) Volltext (doi) |
| Résumé: | : In the Doctor Who mythos, resurrection takes two opposing forms, one quasi-messianic and utopian, and one profoundly nihilistic and atheistic. Doctor Who presents opportunities of rebirth which provide a return to previous life or a continuation of existence, usually by way of the temporal or dimensional erasing of the fact of death. For the Doctor himself, resurrection by way of regeneration provides a discontinuous life, a resurrection which is neither continuation nor apotheosis. Resurrection in the spin-off series Torchwood, however, is seen to consistently fail, resulting in afterlives that are monstrous, fragile, and unnatural, involving fear and suffering on the part of those who experience not a return from or evasion of the finality of death, but instead experience a living death. For Captain Jack Harkness, resurrection is a strategy of eternal suffering, resulting not in apotheosis but in yearning for perpetually deferred death. In this article, I will suggest that the positivist narratives of Doctor Who propose a utopian existence in which wrongs, including death, can be reversed, thanks to the salvation capacities of the Doctor-Messiah. By contrast, Torchwood suggests a dystopian and nihilist existence in which not only is death inevitable, but salvation through a viable afterlife is impossible, indeed meaningless. |
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| ISSN: | 1703-289X |
| Contient: | Enthalten in: Journal of religion and popular culture
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| Persistent identifiers: | DOI: 10.3138/jrpc.27.1.2620 |