Sense Giving in the Art of Henri Matisse
Both in face-to-face interactions and in indirect forms of communication, such as art, we are constantly involved with communicating our definition of reality, something which even holds for the ultimate meaning of life, death and suffering. Several works of Henri Matisse, most notably those in the...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Equinox
[2016]
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| In: |
Implicit religion
Year: 2016, Volume: 19, Issue: 1, Pages: 55-60 |
| Standardized Subjects / Keyword chains: | B
Matisse, Henri 1869-1954
/ Notre-Dame du Rosaire (Vence)
/ Art
/ Religious experience
/ Meaning
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| Further subjects: | B
modern art
B Spirituality B CHAPELLE du Rosaire (Vence, France) B FACE-to-face communication B SENSES & sensation B sense-giving B MATISSE, Henri, 1869-1954 B Implicit Religion |
| Online Access: |
Volltext (doi) |
| Summary: | Both in face-to-face interactions and in indirect forms of communication, such as art, we are constantly involved with communicating our definition of reality, something which even holds for the ultimate meaning of life, death and suffering. Several works of Henri Matisse, most notably those in the Chapelle du Rosaire at Vence, shed light on aspects of this process of sense giving. Although grounded in everyday life, Matisse's art rises to the realm of ultimate meaning, and thus provided him with a means of transcending his own suffering. |
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| ISSN: | 1743-1697 |
| Contains: | Enthalten in: Implicit religion
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| Persistent identifiers: | DOI: 10.1558/imre.v19i1.30005 |