Interpreting a Conversation on Culture: Conditions for Re-visitation of Black Theology's Turn to Birmingham

Jonathan Walton recommends that Black theology appropriate the theoretical legacy of Birmingham University's Centre for Contemporary Cultural Studies (CCCS) to improve on Dwight Hopkins's contrasting account of “conservative” and “prophetic” religious practices. However, Hopkins does affir...

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Bibliographic Details
Main Author: Crump, Julius (Author)
Format: Electronic Article
Language:English
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Published: Routledge, Taylor and Francis Group [2017]
In: Black theology
Year: 2017, Volume: 15, Issue: 1, Pages: 41-59
RelBib Classification:CD Christianity and Culture
FD Contextual theology
KBF British Isles
VA Philosophy
Further subjects:B Cultural Studies
B Centre for Contemporary Cultural Studies (CCCS)
B Jonathan Walton
B Stuart Hall
B Theological Method
B Black Theology
B Dwight Hopkins
Online Access: Volltext (Verlag)

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520 |a Jonathan Walton recommends that Black theology appropriate the theoretical legacy of Birmingham University's Centre for Contemporary Cultural Studies (CCCS) to improve on Dwight Hopkins's contrasting account of “conservative” and “prophetic” religious practices. However, Hopkins does affirm the theoretical value of the CCCS. Hopkins's criticism of Black televisual popular culture follows from his account of how the divine has worked in history for the sake of poor and oppressed agents to combat the monopolization of power. Hopkins's perspective can be construed, theoretically, to identify, analogously, with Stuart Hall's account of cultural studies, particularly if Hall's anti-theory supplements rather than replaces Black theology's identification with the Black freedom struggle. By showing (1) how Hopkins can be understood to identify with the CCCS and (2) that he presupposes the agency of otherwise socially conservative Black religious practitioners, I offer three conditions for the re-visitation of Black theology with and to the Birmingham Centre for Contemporary Cultural Studies. 
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