Recognizing Penguins: Audience Expectation, Cognitive Genre Theory, and the Ending of Mark's Gospel
This study exposes shortcomings of arguments that view an "open ending" theory of Mark as a modern construct that would have made little sense to an ancient audience. I look at first-century genre expectations in light of cognitive genre theory and argue that a reader-response approach to...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Catholic Biblical Association of America
[2018]
|
| In: |
The catholic biblical quarterly
Year: 2018, Volume: 80, Issue: 2, Pages: 273-292 |
| Standardized Subjects / Keyword chains: | B
Bible. Markusevangelium 16,8
/ Mark
/ Conclusion
/ Reception aesthetics
/ Classical antiquity
/ Biography
|
| RelBib Classification: | CD Christianity and Culture HC New Testament TB Antiquity |
| Further subjects: | B
cognitive theories
B bios B Psychology B Audiences B Gospel of Mark B genre theory B ending of Mark B groups B Cognition B Greco-Roman biography B Jesus Christ |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
|
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| 100 | 1 | |e VerfasserIn |0 (DE-588)107172035X |0 (DE-627)826283500 |0 (DE-576)370500598 |4 aut |a Shively, Elizabeth E. |d 1969- | |
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| 245 | 1 | 0 | |a Recognizing Penguins |b Audience Expectation, Cognitive Genre Theory, and the Ending of Mark's Gospel |c Elizabeth E. Shively (St. Mary's College, University of St. Andrews, St. Andrews, UK, KY16 8QZ) |
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| 520 | |a This study exposes shortcomings of arguments that view an "open ending" theory of Mark as a modern construct that would have made little sense to an ancient audience. I look at first-century genre expectations in light of cognitive genre theory and argue that a reader-response approach to Mark's ending is not only appropriate but also desirable. First, I describe and assess interpretative issues surrounding Mark's ending. Second, I discuss ways of approaching Mark's ending in light of genre expectations, building on a literary approach to genre with a cognitive (psychological) approach. Third, I offer an interpretation of Mark's ending in light of its fit with Greco-Roman biography (Greek bios; pl. bioi) and in terms of cognitive models. I show how Mark develops a pattern of imitation between Jesus and his disciples that, at the end, invites the audience to reflect on and respond to the person of Jesus and his role as the exemplar of discipleship. | ||
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