The Spirit of the Letter: The Hebrew Inscription in Bermejo’s Piedat Revisited
The Hebrew inscription in the Piedat attributed to Bartolomé Bermejo is usually viewed in relation to the possible involvement of conversos in the painting. Offering a broader exploration of the local setting as well as the visual and textual models available to Bermejo, this article goes beyond a n...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2018
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| In: |
Medieval encounters
Year: 2018, Volume: 24, Issue: 1/3, Pages: 79-115 |
| Further subjects: | B
Bartolomé Bermejo
Conversos
Hebrew letters in Christian art
man of sorrows
Christian hebraism
inscriptions and pseudo-inscriptions
inter-religious relations
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| Online Access: |
Volltext (Verlag) |
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| 520 | |a The Hebrew inscription in the Piedat attributed to Bartolomé Bermejo is usually viewed in relation to the possible involvement of conversos in the painting. Offering a broader exploration of the local setting as well as the visual and textual models available to Bermejo, this article goes beyond a narrow converso interpretation and situates the inscription within two different contexts: an environment of growing Christian interest in Hebraic knowledge and an Aragonese artistic experimentation with the iconography of the Man of Sorrows. | ||
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