Encores me frissonne et tremble le coeur dedans sa capsule: Rabelais's Anatomy of Emotion and the Soul
This article examines the role of anatomical references in the representation of emotion and argues that they constitute textual markers of the Rabelaisian view of the relationship between the body and the soul, and the nature of the soul itself. By analyzing the ancient models of natural philosophy...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Iter Press
[2016]
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| In: |
Renaissance and reformation
Year: 2016, Volume: 39, Issue: 3, Pages: 33-58 |
| RelBib Classification: | CD Christianity and Culture KAG Church history 1500-1648; Reformation; humanism; Renaissance KBG France NBE Anthropology VA Philosophy |
| Online Access: |
Volltext (Verlag) |
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| 520 | |a This article examines the role of anatomical references in the representation of emotion and argues that they constitute textual markers of the Rabelaisian view of the relationship between the body and the soul, and the nature of the soul itself. By analyzing the ancient models of natural philosophy and medicine on which Rabelais drawsGalen, in particularand by contextualizing Rabelais's thinking within contemporary debates on the faculties of the soul, the article aims to shed light on his representation of the intersection between material and immaterial processes within the human body. Instead of trying to reconcile potentially contradictory aspects of these ancient models with the Christian faith, Rabelais's prose is informed by an intuitive understanding of ancient philosophy. His exploitation of the Galenic concept of the animal spirits gives us invaluable insights into the influence of materialist representations of the soul on Rabelais's thinking. | ||
| 520 | |a Cet article étudie le rôle des références anatomiques dans la représentation rabelaisienne de l'émotion et propose d'y voir les marqueurs textuels de la façon dont Rabelais conçoit les rapports entre l'âme et le corps, et la nature de l'âme elle-même. En analysant les modèles anciens de la philosophie naturelle et de la médecine Galien en particulier dont Rabelais s'inspire et en situant sa pensée dans le contexte des débats contemporains sur les facultés de l'âme, l'article vise à éclairer la façon dont Rabelais représente l'intersection à l'intérieur du corps humain des processus matériels et immatériels. Sans chercher à réconcilier avec la foi chrétienne certains aspects de ces anciens modèles qui peuvent être en contradiction avec elle, la prose rabelaisienne porte la marque d'une compréhension intuitive de la philosophie ancienne. En particulier, l'exploitation de la conception galénique des esprits animaux donne de précieux aperçus concernant l'influence des représentations matérialistes de l'âme sur la pensée de Rabelais. | ||
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