Zur Komposition des poetischen Florilegiums im Codex Salmasianus
The Anthologia Salmasiana contains a section that is clearly defined in the manuscript and displays features of a well-considered arrangement (Anth. Lat. 7 - 190 Shackleton Bailey = 20 - 199 Riese): this section is introduced by a praefatio; poems related in form and content are grouped together, wh...
Main Author: | |
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Format: | Electronic Article |
Language: | German |
Check availability: | HBZ Gateway |
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Published: |
Österreichischen Akademie d. Wissenschaften
[2017]
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In: |
Wiener Studien
Year: 2017, Volume: 130, Pages: 361-380 |
RelBib Classification: | AG Religious life; material religion BE Greco-Roman religions TB Antiquity TD Late Antiquity |
Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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520 | |a The Anthologia Salmasiana contains a section that is clearly defined in the manuscript and displays features of a well-considered arrangement (Anth. Lat. 7 - 190 Shackleton Bailey = 20 - 199 Riese): this section is introduced by a praefatio; poems related in form and content are grouped together, while poems of diverse topics and by various authors are connected by a kind of concatenatio; especially at the beginning and end of this section, there are poems with a focus on juridical themes, which have aspects of form and content in common. Some of these features of arrangement are also found in the so-called Peiper-libellus (Anth. Lat. 78 - 188 S. B. = 90 - 197 Riese). This, together with the fact that it integrates also stone-inscriptions, makes it highly probable that the Peiper-libellus is not an epigram book by a sole author, but itself an anthology. | ||
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