Presenting the Law: Text and Imagery on Dutch Ten Commandments Panels

Many Dutch Calvinist churches house a Ten Commandments panel, installed in the late sixteenth or seventeenth century as part of the Reformed adaptation of the medieval Catholic church interior. In this article, the characteristic design of Ten Commandments panels is analyzed as a form of Calvinist v...

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Publié dans:Entangled Religions
Auteur principal: Wubs, Jacolien (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Ruhr-Universität Bochum [2018]
Dans: Entangled Religions
Année: 2018, Volume: 7, Pages: 78-108
Sujets / Chaînes de mots-clés standardisés:B Niederlande / Calvinisme / Église / Espace intérieur (motif) / Paneel / Dekalog
RelBib Classification:CE Art chrétien
KBD Benelux
KDD Église protestante
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Description
Résumé:Many Dutch Calvinist churches house a Ten Commandments panel, installed in the late sixteenth or seventeenth century as part of the Reformed adaptation of the medieval Catholic church interior. In this article, the characteristic design of Ten Commandments panels is analyzed as a form of Calvinist visual culture. It suggests that these panels were primarilymade to be viewed rather than thoroughly read. The remarkably figurative Moses imagery on panels points at a divergence between the rigid Reformed theological image prohibition and the practice of the adaptation of the church interior. The placement of Ten Commandments panels in the Reformed church interior highlights their symbolic value: It signified the need for self-examination of the participants in the Lord's Supper. The original spatial setting of Ten Commandments panels also shows how the newly Reformed furnishing and use of church space was rooted in its late medieval Catholic past.
ISSN:2363-6696
Contient:Enthalten in: Entangled Religions
Persistent identifiers:DOI: 10.13154/er.v7.2018.78-108