Aura 2.0: The Technoscientific Return of Art's Religious Value
In 1936 Walter Benjamin observed the fading of [art's] aura" as it underwent mechanical reproduction. According to Benjamin, technological advances had initiated a shift in art as a medium of cultic value" to art as a medium of display value" (Benjamin 2008, 9, 12). Eighty yea...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Equinox
[2017]
|
In: |
Implicit religion
Year: 2017, Volume: 20, Issue: 3, Pages: 245-257 |
Standardized Subjects / Keyword chains: | B
Benjamin, Walter 1892-1940, Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit
/ Aura (Philosophy)
/ Transhumanism
/ Art
/ Value
/ Religion
|
Further subjects: | B
Artificial Intelligence
B LITURGY & art B Bioethics B Religion B Science B ART & science B Technological innovations B EXPRESSIONISM (Art) B Ethics B Transhumanism B Worship B Technoscience B Technology B Genetics B Liturgy B Aesthetics B Aura B Species |
Online Access: |
Volltext (doi) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1578544262 | ||
003 | DE-627 | ||
005 | 20230831091734.0 | ||
007 | cr uuu---uuuuu | ||
008 | 180814s2017 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.1558/imre.35892 |2 doi | |
035 | |a (DE-627)1578544262 | ||
035 | |a (DE-576)508544262 | ||
035 | |a (DE-599)BSZ508544262 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)1182001459 |0 (DE-627)1662516754 |4 aut |a Morelli, Michael | |
109 | |a Morelli, Michael | ||
245 | 1 | 0 | |a Aura 2.0 |b The Technoscientific Return of Art's Religious Value |c Michael Morelli |
264 | 1 | |c [2017] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a In 1936 Walter Benjamin observed the fading of [art's] aura" as it underwent mechanical reproduction. According to Benjamin, technological advances had initiated a shift in art as a medium of cultic value" to art as a medium of display value" (Benjamin 2008, 9, 12). Eighty years later, do his observations retain their validity in a world on the brink of discovering the singularity and changing the genetic makeup of humanity, or, is art's aura beginning to burn brightly again with the joining of science, art, and liturgy in operating room theatres, mythical labs, and magical tech companies which produce chimeras, clones, cyborgs, transhumans, and intelligent robots--all which inspire religious awe? Theorist Paul Virilio ask a similar question: After all great periods of art, after the great schools such as the classical and baroque, after contemporary expressionism, are we not now heading for that great transgenic art in which every pharmacy, every laboratory will launch its own lifestyles," its own transhuman fashions?" (Virilio 2003, 61). Virilio does not seem to suggest that this new school of art produces any cultic value or authentic aura, but much of his observations about this transgenic art warrant exploration in this regard. For that reason, this article explores the return of art's aura in the paradigm of techno-science, and in the process, develop an ethic that respond to this new art's aesthetics and its curious liturgies. | ||
650 | 4 | |a ART & science | |
650 | 4 | |a Artificial Intelligence | |
650 | 4 | |a EXPRESSIONISM (Art) | |
650 | 4 | |a LITURGY & art | |
650 | 4 | |a Technological innovations | |
650 | 4 | |a Aesthetics | |
650 | 4 | |a Art | |
650 | 4 | |a Artificial Intelligence | |
650 | 4 | |a Aura | |
650 | 4 | |a Bioethics | |
650 | 4 | |a Ethics | |
650 | 4 | |a Genetics | |
650 | 4 | |a Liturgy | |
650 | 4 | |a Religion | |
650 | 4 | |a Science | |
650 | 4 | |a Technology | |
650 | 4 | |a Technoscience | |
650 | 4 | |a Transhumanism | |
650 | 4 | |a Worship | |
689 | 0 | 0 | |d u |0 (DE-588)4561922-0 |0 (DE-627)305124307 |0 (DE-576)213728958 |a Benjamin, Walter |2 gnd |d 1892-1940 |t Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit |
689 | 0 | 1 | |d s |0 (DE-588)4213912-0 |0 (DE-627)105069221 |0 (DE-576)210217618 |2 gnd |a Aura |g Philosophie |
689 | 0 | 2 | |d s |0 (DE-588)7524756-2 |0 (DE-627)510612229 |0 (DE-576)253457165 |2 gnd |a Transhumanismus |
689 | 0 | 3 | |d s |0 (DE-588)4114333-4 |0 (DE-627)105822957 |0 (DE-576)209483733 |2 gnd |a Kunst |
689 | 0 | 4 | |d s |0 (DE-588)4065654-8 |0 (DE-627)104221496 |0 (DE-576)209159812 |2 gnd |a Wert |
689 | 0 | 5 | |d s |0 (DE-588)4049396-9 |0 (DE-627)106187155 |0 (DE-576)209081880 |2 gnd |a Religion |
689 | 0 | |5 (DE-627) | |
773 | 0 | 8 | |i Enthalten in |t Implicit religion |d Sheffield : Equinox, 2004 |g 20(2017), 3, Seite 245-257 |h Online-Ressource |w (DE-627)481278389 |w (DE-600)2179936-2 |w (DE-576)256442428 |x 1743-1697 |7 nnns |
773 | 1 | 8 | |g volume:20 |g year:2017 |g number:3 |g pages:245-257 |
856 | |u https://doi.org/10.1558/imre.35892 |x doi |3 Volltext | ||
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 3020837812 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1578544262 | ||
LOK | |0 005 20180814101353 | ||
LOK | |0 008 180814||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REF | |a Religiöser Wert | ||
REL | |a 1 | ||
STA | 0 | 0 | |a Art,Art,Visual art,Aura,Religion,Religions,Religion,Religion in literature,Species,Transhumanism,Value,Value,Social values |
STB | 0 | 0 | |a Art,Art,Aura,Espèce,Religion,Religions,Religion,Transhumanisme,Valeur,Valeur,Valeurs (philosophie) |
STC | 0 | 0 | |a Arte,Arte,Aura,Especie,Religión,Religión,Religión,Trashumanismo,Valor,Valor,Valores sociales |
STD | 0 | 0 | |a Arte,Arte,Aura,Religione,Religione,Religione,Specie,Transumanesimo,Transumanismo,Transumanismo,Valore,Valore |
STE | 0 | 0 | |a 价值,价值,宗教,宗教,种,物种,艺术,超人类主义,超人文主义 |
STF | 0 | 0 | |a 價值,價值,宗教,宗教,種,物種,藝術,超人類主義,超人文主義 |
STG | 0 | 0 | |a Arte,Arte,Aura,Espécie,Religião,Religião,Trans-humanismo,Valor,Valor |
STH | 0 | 0 | |a Аура,Вид,Искусство (мотив),Искусство,Религия (мотив),Религия,Трансгуманизм,Ценность (мотив),Ценность |
STI | 0 | 0 | |a Αξία (μοτίβο),Αξία,Αύρα,Διανθρωπισμός,Είδος,Θρησκεία (μοτίβο),Θρησκεία,Τέχνη (μοτίβο),Τέχνη |
SUB | |a REL | ||
SYE | 0 | 0 | |a Spezies,Arten , Religion,Mystik,Mythologie |
SYG | 0 | 0 | |a Benjamin, Walter,1892-1940,Jiqi fuzhi shidai de yishu zuopin,Benjamin, Walter,1892-1940,Ji xie fu zhi shi dai de yi shu zuo pin,Benjamin, Walter,1892-1940,The work of art in the age of its technological reproducibility,Benjamin, Walter,1892-1940,The work of art in the age of mechanical reproduction,Benjamin, Walter,1892-1940,L' œuvre d'art à l'époque de sa reproductibilité technique,Benjamin, Walter,1892-1940,L' œuvre d'art à l'époque de sa reproductibilité mécanisée,Benjamin, Walter,1892-1940,Xelovnebis nimuši misi tek'nikuri reproduc'irebadobis epok'aši,Benjamin, Walter,1892-1940,Dokimia gia t¯in techn¯i,Benjamin, Walter,1892-1940,Hiṣtoryah ̣tẹtanah shel ha-tsilum,Benjamin, Walter,1892-1940,Hîṣtôrya qẹtanna šel hạs-̣sîllûm,Benjamin, Walter,1892-1940,L' opera d'arte nell'epoca della sua riproducibilità tecnica,Benjamin, Walter,1892-1940,L' opera d'arte nel tempo della sua riproducibilita tecnica,Benjamin, Walter,1892-1940,Zusetsu-shashin-sh¯oshi,Benjamin, Walter,1892-1940,L' obra d'art a l'època de la seva reproductibilitat tècnica,Benjamin, Walter,1892-1940,Het kunstwerk in het tijdperk van zijn technische reproduceerbaarheid,Benjamin, Walter,1892-1940,Kunstverket i reproduksjonsalderen,Benjamin, Walter,1892-1940,La obra de arte en la época de su reproducción mecánica,Benjamin, Walter,1892-1940,A obra de arte na era du sua reprodutibilidade técnica,Benjamin, Walter,1892-1940,Opera de arta în epoca reproductibilitatii sale tehnice , Bildende Kunst,Kunstdenkmal , Soziale Werte,Sozialer Wert,Werte , Religion,Mystik,Mythologie |