Aura 2.0: The Technoscientific Return of Art's Religious Value
In 1936 Walter Benjamin observed the fading of [art's] aura" as it underwent mechanical reproduction. According to Benjamin, technological advances had initiated a shift in art as a medium of cultic value" to art as a medium of display value" (Benjamin 2008, 9, 12). Eighty yea...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Equinox
[2017]
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| In: |
Implicit religion
Year: 2017, Volume: 20, Issue: 3, Pages: 245-257 |
| Standardized Subjects / Keyword chains: | B
Benjamin, Walter 1892-1940, Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit
/ Aura (Philosophy)
/ Transhumanism
/ Art
/ Value
/ Religion
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| Further subjects: | B
Artificial Intelligence
B LITURGY & art B Bioethics B Religion B Science B ART & science B Technological innovations B EXPRESSIONISM (Art) B Ethics B Transhumanism B Worship B Technoscience B Technology B Genetics B Liturgy B Aesthetics B Aura B Species |
| Online Access: |
Volltext (doi) |