Gerard Manley Hopkins and Ruskin’s Idea of the Christian Artist
John Ruskin gave Gerard Manley Hopkins an aesthetic vocabulary imbued with Christian concepts of obedience, sacrifice, truth, and Divine Beauty. Even secular art is never morally neutral; Christian art has additional moral weight in the artist’s reverence for God’s self-revelation in creation. Hopki...
| Published in: | Religion and the arts |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2018
|
| In: |
Religion and the arts
Year: 2018, Volume: 22, Issue: 4, Pages: 446-468 |
| Standardized Subjects / Keyword chains: | B
Hopkins, Gerard Manley 1844-1889
/ Ruskin, John 1819-1900
/ Writer
/ Christianity
|
| Further subjects: | B
Hopkins
Ruskin
aesthetics
“Ashboughs”
curtal sonnet
Virgin Mary
beauty
|
| Online Access: |
Volltext (Verlag) |
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| 520 | |a John Ruskin gave Gerard Manley Hopkins an aesthetic vocabulary imbued with Christian concepts of obedience, sacrifice, truth, and Divine Beauty. Even secular art is never morally neutral; Christian art has additional moral weight in the artist’s reverence for God’s self-revelation in creation. Hopkins’s Scotism confirmed his conviction that an artist’s work must be a responsible personal proclamation of truth about creation. Such moral responsibility discourages easy sentimentality but demands reverence for beauty. The depth of Hopkins’s interaction with etymology, syntax, and sound springs from Ruskinian sacrificial expenditure of workmanship and reverence for what Ruskin called “truth” to materials. “Ashboughs,” a cheerful, subtly Marian curtal sonnet, shows Hopkins’s Ruskinian principles at work late in his life, especially in the poet’s attention to diction, syntax, and divine truth revealed in concrete, worldly beauty. | ||
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