Victorian Science
Now virtually unknown, Anne Pratt (1806–1893) remains an important Victorian illustrator, naturalist, and popularizer of science, whose Wild Flowers (1852) made a strong impression on Queen Victoria. While Pratt’s works addressed a largely female audience, their generic appeal, reflecting her profou...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2018
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| In: |
Religion and the arts
Year: 2018, Volume: 22, Issue: 4, Pages: 518-549 |
| Standardized Subjects / Keyword chains: | B
Pratt, Anne 1806-1893
/ Nature study
/ Hopkins, Gerard Manley 1844-1889
/ Theology
/ Aesthetics
|
| Further subjects: | B
Hopkins
Pratt
Chapters
nature
optics
argument from design
natural theology
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| Online Access: |
Volltext (Verlag) |
MARC
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| 520 | |a Now virtually unknown, Anne Pratt (1806–1893) remains an important Victorian illustrator, naturalist, and popularizer of science, whose Wild Flowers (1852) made a strong impression on Queen Victoria. While Pratt’s works addressed a largely female audience, their generic appeal, reflecting her profound botanical knowledge and astute insights into flower study, had an ever broader reach into the general public. Pratt authored over twenty books, among them Chapters on the Common Things of the Sea-Side (1850), which saw four editions in ten years. Hopkins was given a second edition as a gift for his tenth birthday. Though he nowhere acknowledges Pratt but for an obscure reference in a letter to his mother, a precocious Hopkins would have found in Chapters the keen attention to nature he would later observe in Ruskin. Pratt’s study would have been an important precursor for Hopkins’s detailed observations of nature in his journals, diaries, and notebooks. Especially pronounced are their attempts to connect the beauty in nature to a benevolent Creator and a natural theology in which everything in nature, to use a Hopkins expression, “speaks and spells” Christ. In their theology of the aesthetics, the divine plays in “ten thousand places.” | ||
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| STA | 0 | 0 | |a Aesthetics,Art,Aesthetics,Nature study,Observation of nature,Theology,Theology |
| STB | 0 | 0 | |a Esthétique,Esthétique,Observation de la nature,Théologie,Théologie |
| STC | 0 | 0 | |a Estética,Estética,Observación de la naturaleza,Teología,Teología |
| STD | 0 | 0 | |a Estetica,Osservazione della natura,Teologia,Teologia |
| STE | 0 | 0 | |a 对自然界的观察,神学家,美学 |
| STF | 0 | 0 | |a 對自然界的觀察,神學家,美學 |
| STG | 0 | 0 | |a Estética,Observação da natureza,Teologia,Teologia |
| STH | 0 | 0 | |a Богословие (мотив),Богословие,Наблюдение за природой,Эстетика |
| STI | 0 | 0 | |a Αισθητική,Θεολογία (μοτίβο),Θεολογία,Παρατήρηση της φύσης |
| SUB | |a REL | ||
| SYG | 0 | 0 | |a Natur , Hopkins, G. M.,1844-1889,Hopkins, Gerard M.,1844-1889,Hopkins, Gerard,1844-1889,Manley Hopkins, Gerard,1844-1889,Hopkinz, Jī Em,1844-1889 , Christliche Theologie , Künste,Künste,Kunstästhetik,Kunstphilosophie,Kunsttheorie,Philosophische Ästhetik,Kunstanschauung,Kunstauffassung |