Lars Hætta’s miniature world: Sámi prison op-art autoethnography
This article examines a collection of miniature objects, now held in museum collections, which were originally made by a Sámi political prisoner in Norway during the mid-19th century as part of an educational programme. The author draws on recent developments in the theory of miniaturization to cons...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
[2018]
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| Dans: |
Journal of material culture
Année: 2018, Volume: 23, Numéro: 3, Pages: 280-294 |
| RelBib Classification: | AG Vie religieuse BB Religions traditionnelles ou tribales KBE Scandinavie TJ Époque moderne |
| Accès en ligne: |
Accès probablement gratuit Volltext (Maison d'édition) |
| Résumé: | This article examines a collection of miniature objects, now held in museum collections, which were originally made by a Sámi political prisoner in Norway during the mid-19th century as part of an educational programme. The author draws on recent developments in the theory of miniaturization to consider these miniatures as examples of prison op-art autoethnography: communicative devices which seek to address broad and complex social issues through the process of the creation and distribution of semiophorically functionless mimetic objects of reduced scale and complexity, and which reflect the restrictions of incarcerated artistic expression and the questions this raises regarding authenticity and hybridity. |
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| ISSN: | 1460-3586 |
| Contient: | Enthalten in: Journal of material culture
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| Persistent identifiers: | DOI: 10.1177/1359183517745716 |
