Screening Belief: The Life of Pi, Computer Generated Imagery, and Religious Imagination

Ang Lee's The Life of Pi is based on Yann Martel's novel of the same name. The film expands upon the novel's fantastic story through the integration of new visual metaphors that invite religious reflection, and is reinforced by religious rituals within and beyond the film itself. Mart...

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Détails bibliographiques
Auteur principal: Wagner, Rachel (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: MDPI [2016]
Dans: Religions
Année: 2016, Volume: 7, Numéro: 8, Pages: 1-22
Sujets non-standardisés:B CGI
B Islam
B computer-generated imagery
B Film
B Storytelling
B visual effects
B Judaism
B Hinduism
B Kabbalah
B Christianity
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Résumé:Ang Lee's The Life of Pi is based on Yann Martel's novel of the same name. The film expands upon the novel's fantastic story through the integration of new visual metaphors that invite religious reflection, and is reinforced by religious rituals within and beyond the film itself. Martel's novel invites readers to believe Pi's story without seeing it. Viewers of the film, by contrast, are invited to believe Pi's story precisely because they are seeing it so vividly. Ang Lee constructs a filmic world using such elaborately developed CGI (computer-generated imagery) that the film exhibits only a vestigial relationship to the real-life animals and locations used in its creation. Indeed, it is impossible to make sense of the film's extensive use of religious themes and rituals without understanding its use of immersive visual effects. For Ang Lee, the manufacture of a seamless, aesthetically appealing CGI world was a means of visually affirming the broadly conceived notions of interconnectedness and purpose that he borrowed from Christianity, Islam, Hinduism, and Jewish mysticism.
ISSN:2077-1444
Contient:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel7080096