Continuity and Discontinuity in 17th- and 18th-Century Ecclesiastical Silverworks from the Southern Andes
This article deals with interpretations of images on silver ecclesiastical objects from the Southern Andes dating from the 17th and 18th centuries. The silverworks communicate contents on a nonverbal level and are integrated into ritual acts in the context of church services; this facilitates associ...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2018]
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| In: |
Religions
Year: 2018, Volume: 9, Issue: 9, Pages: 1-14 |
| Further subjects: | B
South America
B colonial period B religious transfer of meaning B multiple readings of images |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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| 520 | |a This article deals with interpretations of images on silver ecclesiastical objects from the Southern Andes dating from the 17th and 18th centuries. The silverworks communicate contents on a nonverbal level and are integrated into ritual acts in the context of church services; this facilitates associations with non-Christian beliefs. If the images are studied by means of a combination of various analytical levels, transcultural processes become apparent in the images on the objects studied, and meanings emerge that would not have been brought to light by simple image analysis. This applies particularly to the comparison with possible indigenous meanings of European images, which enables a much more comprehensive interpretation. Depending on the beholder, the images may be interpreted as expressing continuity, i.e., as representations of indigenous beliefs; as expressing discontinuity, i.e., as representations of Christian beliefs; or as the result of a transfer of meaning encompassing and combining both belief systems, thus enabling a new way of reading them. However, a transcultural process of regional relocation and use of cultural elements is not only visible in the images; it is also illustrated by the ecclesiastical silverworks in the Americas as such, given the European influence manifest in them. | ||
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| 650 | 4 | |a colonial period | |
| 650 | 4 | |a multiple readings of images | |
| 650 | 4 | |a religious transfer of meaning | |
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