Sensational movies: video, vision, and Christianity in Ghana
"Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture and society in turmoil. This book captures the dynamic process of popular filmmaking in Ghana as a new medium for th...
MARC
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| 245 | 1 | 0 | |a Sensational movies |b video, vision, and Christianity in Ghana |c Birgit Meyer |
| 246 | 3 | 3 | |a Video, vision, and Christianity in Ghana |
| 264 | 1 | |a Oakland, California |b University of California Press |c 2015 | |
| 300 | |a xix, 380 Seiten |b Illustrationen | ||
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| 490 | 1 | |a Anthropology of Christianity |v 17 | |
| 500 | |a Literaturverz. S. 333-356 | ||
| 505 | 8 | 0 | |a The video film industryAccra, visions of the city -- Moving pictures and lived experience -- Film as revelation -- Picturing the occult -- Animation -- Mediating traditional culture. |
| 520 | |a "Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture and society in turmoil. This book captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination and tracks the interlacing of the medium's technological, economic, social, cultural, and religious aspects. Stepping into the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other. Birgit Meyer analyzes Ghanaian video as a powerful, sensational form. Colliding with the state film industry's representations of culture, these movies are indebted to religious notions of divination and revelation. Exploring the format of "film as revelation," Meyer unpacks the affinity between cinematic and popular Christian modes of looking and showcases the transgressive potential haunting figurations of the occult. In this brilliant study, Meyer offers a deep, conceptually innovative analysis of the role of visual culture within the politics and aesthetics of religious world making."--Provided by publisher | ||
| 520 | |a "Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture and society in turmoil. This book captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination and tracks the interlacing of the medium's technological, economic, social, cultural, and religious aspects. Stepping into the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other. Birgit Meyer analyzes Ghanaian video as a powerful, sensational form. Colliding with the state film industry's representations of culture, these movies are indebted to religious notions of divination and revelation. Exploring the format of "film as revelation," Meyer unpacks the affinity between cinematic and popular Christian modes of looking and showcases the transgressive potential haunting figurations of the occult. In this brilliant study, Meyer offers a deep, conceptually innovative analysis of the role of visual culture within the politics and aesthetics of religious world making."--Provided by publisher | ||
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| STE | 0 | 0 | |a 五旬节运动,基督教,基督教,基督教世界观,宗教,宗教,宗教生活,宗教生命,电影工业,电影理论,社会变迁,社会改变,社会过程,视频,录像 |
| STF | 0 | 0 | |a 五旬節運動,基督教,基督教,基督教世界觀,宗教,宗教,宗教生活,宗教生命,社會變遷,社會改變,社會過程,視頻,錄像,视频,電影工業,電影理論 |
| STG | 0 | 0 | |a Campo social,Ciência cinematográfica,Cristianismo,Cristianismo,Cristandade,Cristandade,Cristandade (Motivo),Cristandade,Cultura tradicional,Indústria cinematográfica,Movimento,Igreja pentecostal,Igreja pentecostal,Mudança social,Mudança social,Processo social,Produção de vídeo,Promoção do setor cinematográfico,Religião,Religião,Teoria do cinema,Vida religiosa,Vídeo |
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