Folklore, religion and the songs of a Bengali madman: a journey between performance and the politics of cultural representation
This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if exa...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Leiden Boston
Brill
[2016]
|
| In: |
Jerusalem studies in religion and culture (volume 22)
Year: 2016 |
| Series/Journal: | Jerusalem studies in religion and culture
volume 22 |
| Further subjects: | B
Bhabāpāglā 1902-1984
B Bauls Songs and music B Bauls Religion |
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| 245 | 1 | 0 | |a Folklore, religion and the songs of a Bengali madman |b a journey between performance and the politics of cultural representation |c by Carola Erika Lorea |
| 264 | 1 | |a Leiden |a Boston |b Brill |c [2016] | |
| 300 | |a xvi, 332 Seiten |b Illustrationen |c 25 cm | ||
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| 490 | 1 | |a Jerusalem studies in religion and culture |v volume 22 | |
| 500 | |a Includes bibliographical references (pages 284-324) and indexes | ||
| 520 | |a This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if examined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization | ||
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