The street is my pulpit: hip hop and Christianity in Kenya
Intersections, overlaps, and collaborations -- Cultural preferences, Christianity, and the street -- Hip hop's recasting of Christianity and gospel music in Kenya -- Kama si sisi nani? Juliani's gospel of self-empowerment -- Media and contested Christian identities -- Juliani: lyrical geni...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Urbana/Ill
University of Illinois Press
2016
|
| In: | Year: 2016 |
| Series/Journal: | Interpretations of Culture in the New Millennium
|
| Further subjects: | B
Rap musicians (Kenya)
B Artist B Pop culture B Music and youth (Kenya) B Youth culture B Christianity B Christian rap (Music) (Kenya) B Kenya B Christianity (Kenya) B Juliani (1984-) B Youth (Kenya) Social conditions 21st century B Identity B Musik |
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| 245 | 1 | 4 | |a The street is my pulpit |b hip hop and Christianity in Kenya |c Mwenda Ntarangwi |
| 264 | 1 | |a Urbana/Ill |b Univ. of Illinois Press |c 2016 | |
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| 490 | 0 | |a Interpretations of Culture in the New Millennium | |
| 500 | |a Includes bibliographical references (pages 1161-176), discographies (page 159) and index | ||
| 520 | |a Intersections, overlaps, and collaborations -- Cultural preferences, Christianity, and the street -- Hip hop's recasting of Christianity and gospel music in Kenya -- Kama si sisi nani? Juliani's gospel of self-empowerment -- Media and contested Christian identities -- Juliani: lyrical genius with a socially conscious message -- Conclusion: parallel but intersecting paths -- Appendix: Shops selling Juliani's exponential potential | ||
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