The musician and transmission of religious tradition: The multiple roles of the Ethiopian 'däbtära'

This essay traces the pivotal role of a single category of musicians, the 'däbtäras', whose well-known activity at the centre of Ethiopian Christian musical practice is in fact only one aspect of their multifaceted role in religious life in Ethiopia. In addition to their formal responsibil...

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Détails bibliographiques
Auteur principal: Shelemay, Kay Kaufman 1948- (Auteur)
Type de support: Imprimé Article
Langue:Anglais
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Publié: Brill 1992
Dans: Journal of religion in Africa
Année: 1992, Volume: 22, Numéro: 3, Pages: 242-260
Sujets non-standardisés:B Église
B Äthiopien
B Facteur socioculturel
B Tradition
B Médecine populaire
B Religion
B Debtera
B Musique
Description
Résumé:This essay traces the pivotal role of a single category of musicians, the 'däbtäras', whose well-known activity at the centre of Ethiopian Christian musical practice is in fact only one aspect of their multifaceted role in religious life in Ethiopia. In addition to their formal responsibilities as musicians and liturgical practitioners within the church, many 'däbtäras' past and present have been magicians and healers. These activities have served to bring the main carriers of Ethiopian Christian liturgy into ongoing contact with peoples formally associated with many other Ethiopian religious systems. Of additional, but strictly historical, significance today, is the once important role of 'däbtäras' within the traditional religion of the Beta Israel (Falasha). The complex role of the 'däbtära' in Ethiopian religious life is analysed through an examination of the educational process he undergoes. This investigation reveals the range of information, or 'cultural capital' that a 'däbtära' acquires and subsequently controls both within and outside of musical domains. (Documentatieblad/ASC Leiden)
ISSN:0022-4200
Contient:In: Journal of religion in Africa