Cernuschi, C. (1997). Artist as christ / artist as criminal: Oskar Kokoschka's self-portrait for "Der Sturm", myth, and the construction of identity in Vienna 1900. Religion and the arts, 1(2), 93-127.
Chicago Style (17th ed.) CitationCernuschi, Claude. "Artist as Christ / Artist as Criminal: Oskar Kokoschka's Self-portrait for "Der Sturm", Myth, and the Construction of Identity in Vienna 1900." Religion and the Arts 1, no. 2 (1997): 93-127.
MLA (8th ed.) CitationCernuschi, Claude. "Artist as Christ / Artist as Criminal: Oskar Kokoschka's Self-portrait for "Der Sturm", Myth, and the Construction of Identity in Vienna 1900." Religion and the Arts, vol. 1, no. 2, 1997, pp. 93-127.
Warning: These citations may not always be 100% accurate.