Blowing up the Jewish mother: Philip Roth's "Portnoy's complaint" and Woody Allen's "Oedipus wrecks"
Philip Roth’s Portnoy’s Complaint and Woody Allen’s Oedipus Wrecks are autobiographical works that dramatize the painfulness of self-representation through a stereotyped mother. They show the interplay between self-inflation and fears of castration. The Jewish mother in the text is the vociferous in...
Auteur principal: | |
---|---|
Type de support: | Imprimé Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Ed. Dehoniane
2000
|
Dans: |
Annali di storia dell'esegesi
Année: 2000, Volume: 17, Numéro: 2, Pages: 527-535 |
Sujets / Chaînes de mots-clés standardisés: | B
Roth, Philip 1933-2018, Portnoy's complaint
/ Oedipus wrecks
/ Mère
/ Rôle social
/ Judaïsme
|
RelBib Classification: | BH Judaïsme |
Résumé: | Philip Roth’s Portnoy’s Complaint and Woody Allen’s Oedipus Wrecks are autobiographical works that dramatize the painfulness of self-representation through a stereotyped mother. They show the interplay between self-inflation and fears of castration. The Jewish mother in the text is the vociferous instrument for the author’s self-assertion as Jew and artist. Reflexive narrative strategies make her into the scapegoat for the author’s self-exposure to the American public. |
---|---|
ISSN: | 1120-4001 |
Contient: | In: Annali di storia dell'esegesi
|