Who was sitting in the theatre at Miletos?: an epigraphical application of a novel theory
Stephen Mitchell has proposed a broad view of the cult of the Most High God (Theos Hypsistos) in which the followers describe themselves as theosebes. This provides a robust identity for these God-fearers and allows for a wider local context for theosebes (and other God-fearer) inscriptions. Mitchel...
| Main Author: | |
|---|---|
| Format: | Print Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2005
|
| In: |
Journal for the study of Judaism in the Persian, Hellenistic and Roman period
Year: 2005, Volume: 36, Issue: 4, Pages: 397-416 |
| Standardized Subjects / Keyword chains: | B
Mitchell, Stephen 1948-
/ Miletus
/ Theater
/ Inscription
/ Monotheism
/ Judaism
/ Non-Jewish religion
/ Interfaith dialogue
|
| RelBib Classification: | BC Ancient Orient; religion HD Early Judaism HH Archaeology NBC Doctrine of God |
| Further subjects: | B
Theater
B Epigraphy B Miletus B Jewish diaspora B Monotheism B theosebēs |
| Parallel Edition: | Electronic
|